{"id":3482,"date":"2024-03-20T09:54:03","date_gmt":"2024-03-20T09:54:03","guid":{"rendered":"https:\/\/www.fundacionindex.com\/gomeres\/?page_id=3482"},"modified":"2026-03-02T13:24:03","modified_gmt":"2026-03-02T13:24:03","slug":"la-medicina-en-la-ilustracion-imagenes","status":"publish","type":"page","link":"https:\/\/gomeres.fundacionindex.com\/?page_id=3482","title":{"rendered":"G6 La medicina en la Ilustraci\u00f3n: im\u00e1genes"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Asignatura: Historia de la Medicina<\/strong><br>Profesor: Dr. Manuel Amezcua<br>Materiales de pr\u00e1cticas<br>Gu\u00eda para realizar el comentario de obras de arte: <a href=\"https:\/\/gomeres.fundacionindex.com\/?p=108\">S\u00edntesis CAI<\/a><br>Ver  <a href=\"https:\/\/gomeres.fundacionindex.com\/?page_id=3855\">Trabajos de pr\u00e1cticas publicados por el alumnado<\/a><\/p>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-1 wp-block-paragraph\"><strong>Imagen 1: <\/strong>Lecci\u00f3n de anatom\u00eda<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>:&nbsp;La Lecci\u00f3n de Anatom\u00eda del Dr. Willem R\u00f6ell, de Cornelis Troost (1728), muestra a un peque\u00f1o grupo de anatomistas interesados examinando un cad\u00e1ver y el interior de una articulaci\u00f3n de rodilla.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/4_10_0.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"660\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/4_10_0-1024x660.webp\" alt=\"\" class=\"wp-image-3484\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/4_10_0-1024x660.webp 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/4_10_0-300x193.webp 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/4_10_0-768x495.webp 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/4_10_0.webp 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-2 wp-block-paragraph\"><strong>Imagen 2:<\/strong> Anfiteatro Anat\u00f3mico de Barcelona<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>:&nbsp;&nbsp;Anfiteatro anat\u00f3mico construido en 1762 en la vieja sede del Colegio de Cirug\u00eda, en el antiguo Hospital de la Santa Creu de Barcelona<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/anfiteatroanatomicoBa.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"901\" height=\"1000\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/anfiteatroanatomicoBa.jpg\" alt=\"\" class=\"wp-image-3490\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/anfiteatroanatomicoBa.jpg 901w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/anfiteatroanatomicoBa-270x300.jpg 270w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/anfiteatroanatomicoBa-768x852.jpg 768w\" sizes=\"auto, (max-width: 901px) 100vw, 901px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-3 wp-block-paragraph\"><strong>Imagen 3:<\/strong> Clase pr\u00e1ctica de Anatom\u00eda<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Referencia: Anteportada de la \u201cAnatom\u00eda completa del hombre\u201d, de Mart\u00edn Mart\u00ednez, publicada en 1728.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/49352899693_8b368391f9_o-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1735\" height=\"2560\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/49352899693_8b368391f9_o-scaled.jpg\" alt=\"\" class=\"wp-image-4167\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/49352899693_8b368391f9_o-scaled.jpg 1735w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/49352899693_8b368391f9_o-203x300.jpg 203w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/49352899693_8b368391f9_o-694x1024.jpg 694w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/49352899693_8b368391f9_o-768x1133.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/49352899693_8b368391f9_o-1041x1536.jpg 1041w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/49352899693_8b368391f9_o-1388x2048.jpg 1388w\" sizes=\"auto, (max-width: 1735px) 100vw, 1735px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-4 wp-block-paragraph\"><strong>Imagen 4:<\/strong> El alquimista en su laboratorio<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>:&nbsp;An Alchemist in His Laboratory. Balthasar van den Bossche (1681\u20131715). entre 1700 y 1715, \u00f3leo sobre tela. Wellcome Library.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Balthasar_van_den_Bossche_-_An_Alchemist_in_His_Laboratory.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"944\" height=\"784\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Balthasar_van_den_Bossche_-_An_Alchemist_in_His_Laboratory.jpg\" alt=\"\" class=\"wp-image-4081\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Balthasar_van_den_Bossche_-_An_Alchemist_in_His_Laboratory.jpg 944w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Balthasar_van_den_Bossche_-_An_Alchemist_in_His_Laboratory-300x249.jpg 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Balthasar_van_den_Bossche_-_An_Alchemist_in_His_Laboratory-768x638.jpg 768w\" sizes=\"auto, (max-width: 944px) 100vw, 944px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-5 wp-block-paragraph\"><strong>Imagen 5: <\/strong>El \u00e1ngel anat\u00f3mico<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>:&nbsp;Grabado de Jacques Gautier d&#8217;Agoty mostrando el interior del esquena de una mujer, 1746 (Biblioteca Nacional de Par\u00eds)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Dagoty-Back_of_Female.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"738\" height=\"1024\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Dagoty-Back_of_Female-738x1024.jpg\" alt=\"\" class=\"wp-image-4088\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Dagoty-Back_of_Female-738x1024.jpg 738w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Dagoty-Back_of_Female-216x300.jpg 216w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Dagoty-Back_of_Female.jpg 750w\" sizes=\"auto, (max-width: 738px) 100vw, 738px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-6 wp-block-paragraph\"><strong>Imagen 6: <\/strong>Ambiente en el  hospital de Santa Mar\u00eda de Florencia<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: Plaza del Hospital de Santa Mar\u00eda de Florencia. Grabado ingl\u00e9s publicado en Par\u00eds por J. Cheveau en 1760.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/hospiflorencia.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"597\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/hospiflorencia-1024x597.png\" alt=\"\" class=\"wp-image-3492\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/hospiflorencia-1024x597.png 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/hospiflorencia-300x175.png 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/hospiflorencia-768x447.png 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/hospiflorencia.png 1351w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-7 wp-block-paragraph\"><strong>Imagen 7: <\/strong>Incendio en un hospital<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: <strong>Incendio en un Hospital<\/strong>, por&nbsp;<em>Francisco Jos\u00e9 de Goya y Lucientes<\/em> (ca. 1808)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/incendiohospitalgoya-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"727\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/incendiohospitalgoya-1024x727.jpg\" alt=\"\" class=\"wp-image-3486\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/incendiohospitalgoya-1024x727.jpg 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/incendiohospitalgoya-300x213.jpg 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/incendiohospitalgoya-768x545.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/incendiohospitalgoya-1536x1091.jpg 1536w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/incendiohospitalgoya-2048x1454.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-8 wp-block-paragraph\"><strong>Imagen 8: <\/strong>Jenner vacunando a un ni\u00f1o <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: Edward Jenner vacunando a un ni\u00f1o. Oleo sobre lienzo de <em>Eug\u00e8ne<\/em>&#8211;<em>Ernest Hillemacher<\/em> (1884)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/enner.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"584\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/enner-1024x584.jpg\" alt=\"\" class=\"wp-image-3493\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/enner-1024x584.jpg 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/enner-300x171.jpg 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/enner-768x438.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/enner-1536x876.jpg 1536w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/enner-2048x1167.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-9 wp-block-paragraph\"><strong>Imagen 9: <\/strong>El garrotillo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: \u201c<em>El garrotillo<\/em>\u201d. <strong>Francisco de Goya y Lucientes<\/strong>.&nbsp;Anterior a 1821.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/garrotillo.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"658\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/garrotillo.jpg\" alt=\"\" class=\"wp-image-3500\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/garrotillo.jpg 600w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/garrotillo-274x300.jpg 274w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-10 wp-block-paragraph\"><strong>Imagen 10: <\/strong>El enema<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: Tapiz seg\u00fan dise\u00f1o de Antoine Watteau (1684-1721). Sala capitular de la iglesia del&nbsp;<em>Val-de-Gr\u00e2ce<\/em>, anexa al hospital militar del mismo nombre, Par\u00eds. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Enema.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"794\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Enema-1024x794.png\" alt=\"\" class=\"wp-image-3511\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Enema-1024x794.png 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Enema-300x233.png 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Enema-768x596.png 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Enema.png 1155w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-11 wp-block-paragraph\"><strong>Imagen 11: <\/strong>El alba\u00f1il herido<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: El alba\u00f1il herido. <strong>Francisco de Goya y Lucientes<\/strong>.&nbsp;Entre 1786 y 1788.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/El_albanil_heridoGoya.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"439\" height=\"1024\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/El_albanil_heridoGoya-439x1024.jpg\" alt=\"\" class=\"wp-image-3501\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/El_albanil_heridoGoya-439x1024.jpg 439w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/El_albanil_heridoGoya-129x300.jpg 129w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/El_albanil_heridoGoya-768x1790.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/El_albanil_heridoGoya-659x1536.jpg 659w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/El_albanil_heridoGoya.jpg 824w\" sizes=\"auto, (max-width: 439px) 100vw, 439px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-12 wp-block-paragraph\"><strong>Imagen 12: <\/strong>La inoculaci\u00f3n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Referencia: Portada de La inoculaci\u00f3n, poema en cuatro cantos. Jean Joseph T. Roman. Lacombe, \u00c1msterdam \/ Par\u00eda, 1773 (BIUM, Par\u00eds).<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/vacuna-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"633\" height=\"1024\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/vacuna-633x1024.jpg\" alt=\"\" class=\"wp-image-4098\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/vacuna-633x1024.jpg 633w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/vacuna-185x300.jpg 185w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/vacuna-768x1243.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/vacuna-949x1536.jpg 949w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/vacuna-1266x2048.jpg 1266w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/vacuna-scaled.jpg 1582w\" sizes=\"auto, (max-width: 633px) 100vw, 633px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-13 wp-block-paragraph\"><strong>Imagen 13: El cirujano charlat\u00e1n<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Referencia: &nbsp;Grabado en \u201cLa Nature: revue des sciences et de leurs applications aux arts et a l&#8217;industrie\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Unknown_Artist_-_A_charlatan_surgeon_in_the_18th_century_examining_a_shoulder_injury_From_an_eng_-_MeisterDrucke-929712.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"766\" height=\"1024\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Unknown_Artist_-_A_charlatan_surgeon_in_the_18th_century_examining_a_shoulder_injury_From_an_eng_-_MeisterDrucke-929712-766x1024.jpg\" alt=\"\" class=\"wp-image-4114\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Unknown_Artist_-_A_charlatan_surgeon_in_the_18th_century_examining_a_shoulder_injury_From_an_eng_-_MeisterDrucke-929712-766x1024.jpg 766w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Unknown_Artist_-_A_charlatan_surgeon_in_the_18th_century_examining_a_shoulder_injury_From_an_eng_-_MeisterDrucke-929712-225x300.jpg 225w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Unknown_Artist_-_A_charlatan_surgeon_in_the_18th_century_examining_a_shoulder_injury_From_an_eng_-_MeisterDrucke-929712-768x1026.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Unknown_Artist_-_A_charlatan_surgeon_in_the_18th_century_examining_a_shoulder_injury_From_an_eng_-_MeisterDrucke-929712.jpg 943w\" sizes=\"auto, (max-width: 766px) 100vw, 766px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-14 wp-block-paragraph\"><strong>Imagen 14: La visita del m\u00e9dico<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Referencia: &#8216;L&#8217;art de guerir d&#8217;il a 200 ans: le docteur fait ses visites&#8217;. Cromo publicitario, Liebig de 1903. Collection Kharbine-Tapabor.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/visitadoctor1.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/visitadoctor1-1024x640.png\" alt=\"\" class=\"wp-image-4123\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/visitadoctor1-1024x640.png 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/visitadoctor1-300x188.png 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/visitadoctor1-768x480.png 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/visitadoctor1.png 1436w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-15 wp-block-paragraph\"><strong>Imagen 15: p\u00fastulas de la viruela<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Referencia: Ilustraci\u00f3n con p\u00fastulas de la viruela incluida en el <em>Tratado hist\u00f3rico y pr\u00e1ctico de la vacuna<\/em>, traducido por Balmis del original en franc\u00e9s <em>Trait\u00e9 historique et pratique de la vaccine<\/em> (1801), de Jacques-Louis Moreau de la Sarthe. Wellcome Images<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/pustulasviruela.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"940\" height=\"747\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/pustulasviruela.webp\" alt=\"\" class=\"wp-image-4125\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/pustulasviruela.webp 940w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/pustulasviruela-300x238.webp 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/pustulasviruela-768x610.webp 768w\" sizes=\"auto, (max-width: 940px) 100vw, 940px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-16 wp-block-paragraph\"><strong>Imagen 16: Despidiendo al barco<\/strong> <strong>de las vacunas<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Referencia: Corbeta Mar\u00eda Pita zarpando de uno de los puertos del Caribe (1803-1804).  Grabado de Francisco P\u00e9rez (BNE)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/corbetaPita.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"660\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/corbetaPita-1024x660.jpg\" alt=\"\" class=\"wp-image-4128\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/corbetaPita-1024x660.jpg 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/corbetaPita-300x193.jpg 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/corbetaPita-768x495.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/corbetaPita.jpg 1298w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-17 wp-block-paragraph\"><strong>Imagen 17: El hospital de los locos<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Referencia: Casa de locos, Francisco de Goya, 1812-1819. Real Academia de Bellas Artes de San Fernando, Madrid.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/casa-de-locos2.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"620\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/casa-de-locos2-1024x620.png\" alt=\"\" class=\"wp-image-4132\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/casa-de-locos2-1024x620.png 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/casa-de-locos2-300x182.png 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/casa-de-locos2-768x465.png 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/casa-de-locos2.png 1102w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-18 wp-block-paragraph\"><strong>Imagen 18: Virgili y el Real Colegio de Cirug\u00eda de C\u00e1diz<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Referencia: Pedro Virgili y el Marqu\u00e9s d ela Ensenada. An\u00f3nimo, 1748-1766. <a href=\"https:\/\/atalaya3d.ugr.es\/obra\/pedro-virgili-y-el-marques-de-la-ensenada\" target=\"_blank\" rel=\"noreferrer noopener\">Facultad de Medicina de la Universidad de C\u00e1diz<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/virgili-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"776\" height=\"1024\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/virgili-776x1024.jpg\" alt=\"\" class=\"wp-image-4144\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/virgili-776x1024.jpg 776w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/virgili-227x300.jpg 227w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/virgili-768x1014.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/virgili-1164x1536.jpg 1164w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/virgili-1552x2048.jpg 1552w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/virgili-scaled.jpg 1940w\" sizes=\"auto, (max-width: 776px) 100vw, 776px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-19 wp-block-paragraph\"><strong>Imagen 19: Ense\u00f1ando Anatom\u00eda<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Referencia: Hunter ense\u00f1ando anatom\u00eda en la Real Academia de Arte. Johann Zoffany,  circa. de 1775. <a href=\"https:\/\/www.vads.ac.uk\/digital\/collection\/NIRP\/id\/34008\/\" target=\"_blank\" rel=\"noreferrer noopener\">Real Colegio de M\u00e9dicos de Londres<\/a>. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/hunter4.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"755\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/hunter4-1024x755.png\" alt=\"\" class=\"wp-image-4150\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/hunter4-1024x755.png 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/hunter4-300x221.png 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/hunter4-768x567.png 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/hunter4.png 1178w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-20 wp-block-paragraph\"><strong>Imagen 20: Corral de apestados<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Referencia: <em>Corral de apestados,<\/em> Francisco De Goya, entre 1798 y 1800. Colecci\u00f3n privada del Marqu\u00e9s de la Romana<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/225554@2x-scaled.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/225554@2x-1024x576.webp\" alt=\"\" class=\"wp-image-4153\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/225554@2x-1024x576.webp 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/225554@2x-300x169.webp 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/225554@2x-768x432.webp 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/225554@2x-1536x864.webp 1536w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/225554@2x-2048x1152.webp 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-21 wp-block-paragraph\"><strong>Imagen 21: Entierro en Granada<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Referencia: Entierro ascendiendo por la Cuesta de los Muertos, aguafuerte de J. F. Lewis, 1833.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/entierrogranada.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"736\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/entierrogranada.png\" alt=\"\" class=\"wp-image-4156\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/entierrogranada.png 1000w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/entierrogranada-300x221.png 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/entierrogranada-768x565.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-22 wp-block-paragraph\"><strong>Imagen 22: Robo de un cad\u00e1ver<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: dos hombres est\u00e1n metiendo un cuerpo que acaban de desenterrar en una bolsa mientras que la Muerte agarra a uno de los ladrones, dibujo de T. Rowlandson de 1775. Wellcome Collection.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/desenterrando.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"700\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/desenterrando.webp\" alt=\"\" class=\"wp-image-4159\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/desenterrando.webp 624w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/desenterrando-267x300.webp 267w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-23 wp-block-paragraph\"><strong>Imagen 23: Entre la vida y la muerte<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Referencia: Vida y muerte mitad mujer mitad esqueleto, impresi\u00f3n del siglo XVIII.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/il_1140xN.2985443866_dn6m.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/il_1140xN.2985443866_dn6m-819x1024.webp\" alt=\"\" class=\"wp-image-4162\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/il_1140xN.2985443866_dn6m-819x1024.webp 819w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/il_1140xN.2985443866_dn6m-240x300.webp 240w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/il_1140xN.2985443866_dn6m-768x960.webp 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/il_1140xN.2985443866_dn6m.webp 1140w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-24 wp-block-paragraph\"><strong>Imagen 24: Beneficios de la vacuna<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Referencia: La viruela vacuna o los maravillosos efectos de la nueva inoculaci\u00f3n. Caricatura de James Gillray (1756\u20131815) publicada en 1804. Biblioteca del Congreso, Divisi\u00f3n de Grabados y Fotograf\u00edas. <a href=\"https:\/\/es.m.wikipedia.org\/wiki\/Archivo:The_cow_pock.jpg\" target=\"_blank\" rel=\"noreferrer noopener\">Wikipedia<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/The_cow_pock.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"733\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/The_cow_pock-1024x733.jpg\" alt=\"\" class=\"wp-image-4165\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/The_cow_pock-1024x733.jpg 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/The_cow_pock-300x215.jpg 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/The_cow_pock-768x549.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/The_cow_pock.jpg 1279w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-25 wp-block-paragraph\"><strong>Imagen 25: A vueltas con el mesmerismo<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Referencia: Terapia mediante mesmerismo seg\u00fan una pintura francesa an\u00f3nima datada entre 1778 y 1784. Wellcome Images \/ <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Mesmeric_therapy._Oil_painting,_1778-1784_Wellcome_L0014796.jpg\" target=\"_blank\" rel=\"noreferrer noopener\">Wikimedia Commons<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Mesmeric_therapy._Oil_painting_1778-1784_Wellcome_L0014796.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"822\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Mesmeric_therapy._Oil_painting_1778-1784_Wellcome_L0014796-1024x822.jpg\" alt=\"\" class=\"wp-image-4172\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Mesmeric_therapy._Oil_painting_1778-1784_Wellcome_L0014796-1024x822.jpg 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Mesmeric_therapy._Oil_painting_1778-1784_Wellcome_L0014796-300x241.jpg 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Mesmeric_therapy._Oil_painting_1778-1784_Wellcome_L0014796-768x616.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Mesmeric_therapy._Oil_painting_1778-1784_Wellcome_L0014796.jpg 1120w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Asignatura: Historia de la MedicinaProfesor: Dr. Manuel AmezcuaMateriales de pr\u00e1cticasGu\u00eda para realizar el comentario de obras de arte: S\u00edntesis CAIVer Trabajos de pr\u00e1cticas publicados por el alumnado Imagen 1: Lecci\u00f3n de anatom\u00eda Referencia:&nbsp;La Lecci\u00f3n de Anatom\u00eda del Dr. Willem R\u00f6ell, de Cornelis Troost (1728), muestra a un peque\u00f1o grupo de anatomistas interesados examinando un cad\u00e1ver &hellip; <a href=\"https:\/\/gomeres.fundacionindex.com\/?page_id=3482\" class=\"more-link\">Seguir leyendo <span class=\"screen-reader-text\">G6 La medicina en la Ilustraci\u00f3n: im\u00e1genes<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3482","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/gomeres.fundacionindex.com\/index.php?rest_route=\/wp\/v2\/pages\/3482","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gomeres.fundacionindex.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gomeres.fundacionindex.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gomeres.fundacionindex.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gomeres.fundacionindex.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3482"}],"version-history":[{"count":34,"href":"https:\/\/gomeres.fundacionindex.com\/index.php?rest_route=\/wp\/v2\/pages\/3482\/revisions"}],"predecessor-version":[{"id":4341,"href":"https:\/\/gomeres.fundacionindex.com\/index.php?rest_route=\/wp\/v2\/pages\/3482\/revisions\/4341"}],"wp:attachment":[{"href":"https:\/\/gomeres.fundacionindex.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}