{"id":3517,"date":"2024-03-27T20:40:59","date_gmt":"2024-03-27T20:40:59","guid":{"rendered":"https:\/\/www.fundacionindex.com\/gomeres\/?page_id=3517"},"modified":"2026-02-23T09:06:00","modified_gmt":"2026-02-23T09:06:00","slug":"la-medicina-en-la-modernidad-imagenes","status":"publish","type":"page","link":"https:\/\/gomeres.fundacionindex.com\/?page_id=3517","title":{"rendered":"G1 La medicina en la modernidad: im\u00e1genes"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Asignatura: Historia de la Medicina<\/strong><br>Profesor: Dr. Manuel Amezcua<br>Materiales de pr\u00e1cticas<br>Gu\u00eda para realizar el comentario de obras de arte: <a href=\"https:\/\/gomeres.fundacionindex.com\/?p=108\">S\u00edntesis CAI<\/a><br>Ver  <a href=\"https:\/\/gomeres.fundacionindex.com\/?page_id=3855\">Trabajos de pr\u00e1cticas publicados por el alumnado<\/a><\/p>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-1 wp-block-paragraph\"><strong>Imagen 1: <\/strong>La visita del m\u00e9dico<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>:&nbsp;La visita del m\u00e9dico, Jan Havicksz Steen, 1658-1652.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Steen-visita-del-doctor.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"878\" height=\"1024\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Steen-visita-del-doctor-878x1024.jpg\" alt=\"\" class=\"wp-image-3524\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Steen-visita-del-doctor-878x1024.jpg 878w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Steen-visita-del-doctor-257x300.jpg 257w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Steen-visita-del-doctor-768x895.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Steen-visita-del-doctor.jpg 881w\" sizes=\"auto, (max-width: 878px) 100vw, 878px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-2 wp-block-paragraph\"><strong>Imagen 2:<\/strong> La operaci\u00f3n del pie<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>:&nbsp;&nbsp;Operaci\u00f3n quir\u00fargica. David Teniers (Amberes, 1610 &#8211; Bruselas, 1690). Museo del Prado, 1631 &#8211; 1640. \u00d3leo sobre tabla, 33 x 25 cm. Sala 077<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Operacion-quirurgica.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1470\" height=\"1920\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Operacion-quirurgica.jpg\" alt=\"\" class=\"wp-image-4076\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Operacion-quirurgica.jpg 1470w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Operacion-quirurgica-230x300.jpg 230w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Operacion-quirurgica-784x1024.jpg 784w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Operacion-quirurgica-768x1003.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Operacion-quirurgica-1176x1536.jpg 1176w\" sizes=\"auto, (max-width: 1470px) 100vw, 1470px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-3 wp-block-paragraph\"><strong>Imagen 3:<\/strong> El m\u00e9dico<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: El m\u00e9dico. Gerard Dou, 1653.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Dou-elmedico.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1350\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Dou-elmedico.jpg\" alt=\"\" class=\"wp-image-3528\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Dou-elmedico.jpg 1000w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Dou-elmedico-222x300.jpg 222w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Dou-elmedico-759x1024.jpg 759w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Dou-elmedico-768x1037.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-4 wp-block-paragraph\"><strong>Imagen 4:<\/strong> Triunfo de la muerte<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>:&nbsp;El triunfo de la muerte, Pieter Brueghel el Viejo, 1562. Museo del Prado, Madrid.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/triunfomuerte-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"725\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/triunfomuerte-1024x725.jpg\" alt=\"\" class=\"wp-image-3541\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/triunfomuerte-1024x725.jpg 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/triunfomuerte-300x212.jpg 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/triunfomuerte-768x544.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/triunfomuerte-1536x1088.jpg 1536w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/triunfomuerte-2048x1451.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-5 wp-block-paragraph\"><strong>Imagen 5: Circulaci\u00f3n de la sangre<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>:&nbsp;William Harvey mostrando a Carlos I su teor\u00eda de la circulaci\u00f3n de la sangre. \u00d3leo de Ernest Board, ca. 1912.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Harvey.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1470\" height=\"827\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Harvey.jpg\" alt=\"\" class=\"wp-image-3560\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Harvey.jpg 1470w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Harvey-300x169.jpg 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Harvey-1024x576.jpg 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/Harvey-768x432.jpg 768w\" sizes=\"auto, (max-width: 1470px) 100vw, 1470px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-6 wp-block-paragraph\"><strong>Imagen 6: <\/strong>Amputaci\u00f3n de una pierna<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: Hans von GarsDorff. Ilustraci\u00f3n del Manual de campo del sanador de heridas, 1540.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/amputacion.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"401\" height=\"600\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/amputacion.webp\" alt=\"\" class=\"wp-image-4086\" style=\"width:634px;height:auto\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/amputacion.webp 401w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/amputacion-201x300.webp 201w\" sizes=\"auto, (max-width: 401px) 100vw, 401px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-7 wp-block-paragraph\"><strong>Imagen 7: <\/strong>En el hospital de venerables sacerdotes<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: Caballeros atendiendo a los sacerdotes enfermos en el hospital.  Lucas Vald\u00e9s, 1699. Hospital de la Hermandad de los Venerables Sacerdotes. Sevilla<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2016\/01\/lucas-valdes.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"773\" height=\"610\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2016\/01\/lucas-valdes.jpg\" alt=\"\" class=\"wp-image-1251\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2016\/01\/lucas-valdes.jpg 773w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2016\/01\/lucas-valdes-300x237.jpg 300w\" sizes=\"auto, (max-width: 773px) 100vw, 773px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-8 wp-block-paragraph\"><strong>Imagen 8: <\/strong>Incendio en el Hospital Real <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: San Juan de Dios salvando a los enfermos de incendio del Hospital Real.  Manuel G\u00f3mez-Moreno Gonz\u00e1lez, 1880. Museo de Bellas Artes, Granada.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2014\/11\/sjuandiosgomezm.png\"><img loading=\"lazy\" decoding=\"async\" width=\"642\" height=\"1024\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2014\/11\/sjuandiosgomezm.png\" alt=\"\" class=\"wp-image-660\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2014\/11\/sjuandiosgomezm.png 642w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2014\/11\/sjuandiosgomezm-188x300.png 188w\" sizes=\"auto, (max-width: 642px) 100vw, 642px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-9 wp-block-paragraph\"><strong>Imagen 9: <\/strong>Curando a los ti\u00f1osos<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: Isabel de Hungr\u00eda curando a los ti\u00f1osos. Bartolom\u00e9 Esteban Murillo, 1672. Iglesia del Hospital de la Caridad de Sevilla. Detalles <a href=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/0\/0a\/Santa_Isabel_de_Hungr%C3%ADa_curando_a_los_ti%C3%B1osos_%28Juan_Bonaf%C3%A9%29.jpg\" target=\"_blank\" rel=\"noreferrer noopener\">AQUI<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/isahungria.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"761\" height=\"1024\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/isahungria-761x1024.jpg\" alt=\"\" class=\"wp-image-3533\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/isahungria-761x1024.jpg 761w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/isahungria-223x300.jpg 223w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/isahungria-768x1033.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/isahungria.jpg 892w\" sizes=\"auto, (max-width: 761px) 100vw, 761px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-10 wp-block-paragraph\"><strong>Imagen 10: <\/strong>La sangr\u00eda<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: Sangrador practicando una sangr\u00eda. A. Sytz, &#8216;Traktat vom Aderlassen&#8217;, impresi\u00f3n: Johannes Weyssenburger (+ 1531), Landshut, 1520.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/sangria2.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"710\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/sangria2-1024x710.png\" alt=\"\" class=\"wp-image-3539\" style=\"width:637px;height:auto\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/sangria2-1024x710.png 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/sangria2-300x208.png 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/sangria2-768x533.png 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/sangria2.png 1221w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-11 wp-block-paragraph\"><strong>Imagen 11: Preparando la triaca<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: &nbsp;ilustraci\u00f3n del <em>\u00abLiber de arte distillandi de compositis\u00bb&nbsp;<\/em>(1512) del cirujano y alquimista alem\u00e1n Hieronymus Brunschwig.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/triaca.png\"><img loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"751\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/triaca.png\" alt=\"\" class=\"wp-image-3557\" style=\"width:634px;height:auto\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/triaca.png 790w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/triaca-300x285.png 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/triaca-768x730.png 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-12 wp-block-paragraph\"><strong>Imagen 12: Episodio de la vida hospitalaria<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Referencia: <em>Episodio di vita ospedaliera<\/em>, de Jacopo Pontormo. Fresco, 1514.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Pontormo.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"632\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Pontormo-1024x632.jpg\" alt=\"\" class=\"wp-image-4067\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Pontormo-1024x632.jpg 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Pontormo-300x185.jpg 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Pontormo-768x474.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Pontormo-1536x948.jpg 1536w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Pontormo.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-13 wp-block-paragraph\"><strong>Imagen 13: In ictu oculi de Vald\u00e9s Leal<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Referencia: <em>In ictu oculi<\/em> (en un abrir y cerrar de ojos), Juan de Vald\u00e9s Leal, 1671-1672. Iglesia del Hospital de la Caridad de Sevilla.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/valdesLeal.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1008\" height=\"1024\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/valdesLeal-1008x1024.jpg\" alt=\"\" class=\"wp-image-3576\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/valdesLeal-1008x1024.jpg 1008w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/valdesLeal-295x300.jpg 295w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/valdesLeal-768x780.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/valdesLeal.jpg 1106w\" sizes=\"auto, (max-width: 1008px) 100vw, 1008px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-14 wp-block-paragraph\"><strong>Imagen 14: <\/strong>Ni\u00f1os comiendo uvas y mel\u00f3n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Referencia: <em>Ni\u00f1os comiendo uvas y mel\u00f3n<\/em>, \u00f3leo de <em>Bartolom\u00e9 Esteban Murillo<\/em>, 1650. Pinacoteca Antigua de M\u00fanich, Alemania<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/murilloNinos.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"791\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/murilloNinos.jpg\" alt=\"\" class=\"wp-image-3589\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/murilloNinos.jpg 564w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/murilloNinos-214x300.jpg 214w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-15 wp-block-paragraph\"><strong>Imagen 15: Vicente de Paul y Luisa de Marillac con los hospicianos<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: Visita al hospicio, Manuel G\u00f3mez-Moreno Gonz\u00e1lez, s\/f.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/articulos-228552.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"600\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/articulos-228552.jpg\" alt=\"\" class=\"wp-image-3521\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/articulos-228552.jpg 900w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/articulos-228552-300x200.jpg 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/articulos-228552-768x512.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-16 wp-block-paragraph\"><strong>Imagen 16: La mujer sanguijuela<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: il salasso (la sangr\u00eda), \u00f3leo de Quirijin Brekelenkam, 1660. Galer\u00eda Real de Pinturas Mauritshuis, La Haya, Holanda.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/sangriamujer2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"811\" height=\"1024\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/sangriamujer2-811x1024.jpg\" alt=\"\" class=\"wp-image-3597\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/sangriamujer2-811x1024.jpg 811w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/sangriamujer2-238x300.jpg 238w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/sangriamujer2-768x969.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/sangriamujer2-1217x1536.jpg 1217w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/sangriamujer2-1623x2048.jpg 1623w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/sangriamujer2.jpg 1869w\" sizes=\"auto, (max-width: 811px) 100vw, 811px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-17 wp-block-paragraph\"><strong>Imagen 17: El nacimiento de Mar\u00eda<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: El nacimiento de Mar\u00eda, Master Of The Life Of The Virgin, madera, 1470. Alte Pinakothek (Munich, Germany).<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/partovirgen-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"792\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/partovirgen-1024x792.jpg\" alt=\"\" class=\"wp-image-3600\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/partovirgen-1024x792.jpg 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/partovirgen-300x232.jpg 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/partovirgen-768x594.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/partovirgen-1536x1188.jpg 1536w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/partovirgen-2048x1584.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-18 wp-block-paragraph\"><strong>Imagen 18: El alquimista<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: El alquimista, Mattheus van Helmont, entre 1643 y 1679.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Alquimista-Helmont.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"756\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Alquimista-Helmont-1024x756.jpg\" alt=\"\" class=\"wp-image-4091\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Alquimista-Helmont-1024x756.jpg 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Alquimista-Helmont-300x222.jpg 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Alquimista-Helmont-768x567.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Alquimista-Helmont-1536x1134.jpg 1536w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Alquimista-Helmont.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-19 wp-block-paragraph\"><strong>Imagen 19: Extracci\u00f3n de la piedra de la locura<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: El cirujano, Jan Sanders van Hemessen, ca. 1550-1555. Museo del Prado, Madrid.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/piedraLocura-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"718\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/piedraLocura-1024x718.jpg\" alt=\"\" class=\"wp-image-3605\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/piedraLocura-1024x718.jpg 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/piedraLocura-300x210.jpg 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/piedraLocura-768x538.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/piedraLocura-1536x1077.jpg 1536w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/piedraLocura-2048x1436.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-20 wp-block-paragraph\"><strong>Imagen 20: El m\u00e9dico de la peste<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: \u00abDoctor Schnabel\u00bb, ilustraci\u00f3n de un manuscrito sat\u00edrico alem\u00e1n del siglo XVII. El grabado fue publicado por Paul F\u00fcrst (1608-1666), De Europas Sprung in die Neuzeit , de Johannes Ebert y otros.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/drpeste.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"570\" height=\"798\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/drpeste.webp\" alt=\"\" class=\"wp-image-3607\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/drpeste.webp 570w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/drpeste-214x300.webp 214w\" sizes=\"auto, (max-width: 570px) 100vw, 570px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-21 wp-block-paragraph\"><strong>Imagen 21: En el prost\u00edbulo<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: Burdel, Joachim Beukelaer, 1562. Walters Art Museum, Baltimore,&nbsp;Estados Unidos.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/prostibulo.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"758\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/prostibulo-1024x758.jpg\" alt=\"\" class=\"wp-image-3609\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/prostibulo-1024x758.jpg 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/prostibulo-300x222.jpg 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/prostibulo-768x569.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/prostibulo-1536x1137.jpg 1536w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/prostibulo.jpg 1799w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-22 wp-block-paragraph\"><strong>Imagen 22: La Peste est\u00e1 cerca<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: La peste, serie creada por Alberto Rodr\u00edguez y Rafael Cobos. Movistar. 2018-2019.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/pesteserie.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"536\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/pesteserie-1024x536.jpg\" alt=\"\" class=\"wp-image-3611\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/pesteserie-1024x536.jpg 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/pesteserie-300x157.jpg 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/pesteserie-768x402.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/03\/pesteserie.jpg 1268w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-23 wp-block-paragraph\"><strong>Imagen 23: Peste en Sevilla<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: Hospital de la Sangre o de las Cinco Llagas de Sevilla en 1649, \u00f3leo an\u00f3nimo del siglo XVII. Museo del Hospital de Pozo Santo, Sevilla.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/04\/pozosanto1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/04\/pozosanto1-1024x682.jpg\" alt=\"\" class=\"wp-image-3621\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/04\/pozosanto1-1024x682.jpg 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/04\/pozosanto1-300x200.jpg 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/04\/pozosanto1-768x512.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2024\/04\/pozosanto1.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-24 wp-block-paragraph\"><strong>Imagen 24: Las edades y la muerte<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: Las Edades y la Muerte, de Hans Baldung (entre 1541 y 1544), Museo del Prado<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Las_Edades_y_la_Muerte_Grien-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"399\" height=\"1024\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Las_Edades_y_la_Muerte_Grien-399x1024.jpg\" alt=\"\" class=\"wp-image-4092\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Las_Edades_y_la_Muerte_Grien-399x1024.jpg 399w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Las_Edades_y_la_Muerte_Grien-117x300.jpg 117w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Las_Edades_y_la_Muerte_Grien-768x1973.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Las_Edades_y_la_Muerte_Grien-598x1536.jpg 598w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Las_Edades_y_la_Muerte_Grien-797x2048.jpg 797w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-25 wp-block-paragraph\"><strong>Imagen 25: Sobre el arte de la curaci\u00f3n<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: Galeno y Tom\u00e1s Linacre. Par\u00eds, Sim\u00f3n de Colines, 1530. BIUM Par\u00eds.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/portadagalenodef-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"731\" height=\"1024\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/portadagalenodef-731x1024.jpg\" alt=\"\" class=\"wp-image-4095\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/portadagalenodef-731x1024.jpg 731w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/portadagalenodef-214x300.jpg 214w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/portadagalenodef-768x1076.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/portadagalenodef-1096x1536.jpg 1096w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/portadagalenodef-1461x2048.jpg 1461w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/portadagalenodef-scaled.jpg 1826w\" sizes=\"auto, (max-width: 731px) 100vw, 731px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-26 wp-block-paragraph\"><strong>Imagen 26: La preparaci\u00f3n del guayaco<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: &#8216;Hyacum et Lues Venerea&#8217;, grabado es de Philipp Galle (1537-1612), ca. 1590\/1593, a partir de la pintura original de Johannes Stradanus (1523-1605), tambi\u00e9n conocido como Giovanni Stradano o Jan Van der Straet. De la Serie Nova Reperta, Washington, National Gallery of Art.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/guayaco3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"769\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/guayaco3-1024x769.jpg\" alt=\"\" class=\"wp-image-4109\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/guayaco3-1024x769.jpg 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/guayaco3-300x225.jpg 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/guayaco3-768x577.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/guayaco3.jpg 1386w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-27 wp-block-paragraph\"><strong>Imagen 27: Lecci\u00f3n de Anatom\u00eda<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: Lecci\u00f3n de anatom\u00eda del Dr. Willem van der Meer, por el pintor neerland\u00e9s Michiel Jansz. van Mierevelt (1617)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Anatomische_les_door_Dokter_van_der_Meer_van_Michiel_en_Pieter_van_Mierevelt.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"742\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Anatomische_les_door_Dokter_van_der_Meer_van_Michiel_en_Pieter_van_Mierevelt-1024x742.jpg\" alt=\"\" class=\"wp-image-4117\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Anatomische_les_door_Dokter_van_der_Meer_van_Michiel_en_Pieter_van_Mierevelt-1024x742.jpg 1024w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Anatomische_les_door_Dokter_van_der_Meer_van_Michiel_en_Pieter_van_Mierevelt-300x217.jpg 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Anatomische_les_door_Dokter_van_der_Meer_van_Michiel_en_Pieter_van_Mierevelt-768x556.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Anatomische_les_door_Dokter_van_der_Meer_van_Michiel_en_Pieter_van_Mierevelt-1536x1113.jpg 1536w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Anatomische_les_door_Dokter_van_der_Meer_van_Michiel_en_Pieter_van_Mierevelt-2048x1484.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-28 wp-block-paragraph\"><strong>Imagen 28: Muerte del usurero<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: \u00abMuerte y Miser\u00bb, Hieronymus Bosch, circa. 1490. Mus\u00e9es Royaux des Beaux-Arts de Belgiqueen Bruselas, B\u00e9lgica.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Hieronymus-bosch-death-and-the-miser-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"340\" height=\"1024\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Hieronymus-bosch-death-and-the-miser-340x1024.jpg\" alt=\"\" class=\"wp-image-4120\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Hieronymus-bosch-death-and-the-miser-340x1024.jpg 340w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Hieronymus-bosch-death-and-the-miser-100x300.jpg 100w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Hieronymus-bosch-death-and-the-miser-768x2313.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Hieronymus-bosch-death-and-the-miser-510x1536.jpg 510w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Hieronymus-bosch-death-and-the-miser-680x2048.jpg 680w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Hieronymus-bosch-death-and-the-miser-scaled.jpg 850w\" sizes=\"auto, (max-width: 340px) 100vw, 340px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-29 wp-block-paragraph\"><strong>Imagen 29: Del temperamento melanc\u00f3lico<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: Melancholia, de Albert Durero, 1514. St\u00e4delsches Kunstinstitut und St\u00e4dtische Galerie, Franfurt.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Durer_Melancholia_I-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"805\" height=\"1024\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Durer_Melancholia_I-805x1024.jpg\" alt=\"\" class=\"wp-image-4224\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Durer_Melancholia_I-805x1024.jpg 805w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Durer_Melancholia_I-236x300.jpg 236w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Durer_Melancholia_I-768x976.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Durer_Melancholia_I-1208x1536.jpg 1208w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Durer_Melancholia_I-1611x2048.jpg 1611w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/Durer_Melancholia_I-scaled.jpg 2013w\" sizes=\"auto, (max-width: 805px) 100vw, 805px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-30 wp-block-paragraph\"><strong>Imagen 30: Aislamiento en el lazareto<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: Pintura votiva con el tema de la gran plaga de Viena de 1679, Iglesia de San Miguel, Viena (Austria). Fuente: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Pestlazarett_in_Wien_%E2%80%93_Alsergrund_-_Ex_voto.jpg\" target=\"_blank\" rel=\"noreferrer noopener\">Wikimedia Commons<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/abb_03-Pestlazarett.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"948\" height=\"768\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/abb_03-Pestlazarett.jpg\" alt=\"\" class=\"wp-image-4226\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/abb_03-Pestlazarett.jpg 948w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/abb_03-Pestlazarett-300x243.jpg 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/abb_03-Pestlazarett-768x622.jpg 768w\" sizes=\"auto, (max-width: 948px) 100vw, 948px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-31 wp-block-paragraph\"><strong>Imagen 31: Recolectando la mandr\u00e1gora<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: Escena nocturna con una bruja (buscando mandr\u00e1gora en la horca). David Teniers II, circa 1675. Karlsruhe, Staatliche Kunsthalle. Fuente: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:David_Teniers_II,_Karlsruhe,_Staatliche_Kunsthalle.jpg\" target=\"_blank\" rel=\"noreferrer noopener\">Wikimedia Commons<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/David_Teniers.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"979\" height=\"1024\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/David_Teniers-979x1024.jpg\" alt=\"\" class=\"wp-image-4227\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/David_Teniers-979x1024.jpg 979w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/David_Teniers-287x300.jpg 287w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/David_Teniers-768x803.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/David_Teniers.jpg 1205w\" sizes=\"auto, (max-width: 979px) 100vw, 979px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-32 wp-block-paragraph\"><strong>Imagen 32: La f\u00e1brica del cuerpo humano<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: Portada coloreada de la obra \u00abDe humani corporis fabrica\u00bb, de Andrea Vesalio, 1543.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/fabricaVesalius_color-1543.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"727\" height=\"1024\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/fabricaVesalius_color-1543-727x1024.jpg\" alt=\"\" class=\"wp-image-4228\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/fabricaVesalius_color-1543-727x1024.jpg 727w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/fabricaVesalius_color-1543-213x300.jpg 213w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/fabricaVesalius_color-1543-768x1082.jpg 768w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/fabricaVesalius_color-1543-1090x1536.jpg 1090w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/fabricaVesalius_color-1543-1453x2048.jpg 1453w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/fabricaVesalius_color-1543.jpg 1600w\" sizes=\"auto, (max-width: 727px) 100vw, 727px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-red-color has-text-color has-link-color has-medium-font-size wp-elements-33 wp-block-paragraph\"><strong>Imagen 33: Visitando al enfermo<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Referencia<\/em>: Escena Visitando al enfermo de Santi Buglioni, del friso del Ospedale del Ceppo (entre 1525-1528), Pistoia, Italia (foto: Giacomo Guazzini)<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/pistoia-visitaHospital3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1022\" height=\"306\" src=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/pistoia-visitaHospital3.jpg\" alt=\"\" class=\"wp-image-4233\" srcset=\"https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/pistoia-visitaHospital3.jpg 1022w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/pistoia-visitaHospital3-300x90.jpg 300w, https:\/\/gomeres.fundacionindex.com\/wp-content\/uploads\/2025\/03\/pistoia-visitaHospital3-768x230.jpg 768w\" sizes=\"auto, (max-width: 1022px) 100vw, 1022px\" \/><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Asignatura: Historia de la MedicinaProfesor: Dr. Manuel AmezcuaMateriales de pr\u00e1cticasGu\u00eda para realizar el comentario de obras de arte: S\u00edntesis CAIVer Trabajos de pr\u00e1cticas publicados por el alumnado Imagen 1: La visita del m\u00e9dico Referencia:&nbsp;La visita del m\u00e9dico, Jan Havicksz Steen, 1658-1652. Imagen 2: La operaci\u00f3n del pie Referencia:&nbsp;&nbsp;Operaci\u00f3n quir\u00fargica. David Teniers (Amberes, 1610 &#8211; Bruselas, &hellip; <a href=\"https:\/\/gomeres.fundacionindex.com\/?page_id=3517\" class=\"more-link\">Seguir leyendo <span class=\"screen-reader-text\">G1 La medicina en la modernidad: im\u00e1genes<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3517","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/gomeres.fundacionindex.com\/index.php?rest_route=\/wp\/v2\/pages\/3517","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gomeres.fundacionindex.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gomeres.fundacionindex.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gomeres.fundacionindex.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gomeres.fundacionindex.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3517"}],"version-history":[{"count":48,"href":"https:\/\/gomeres.fundacionindex.com\/index.php?rest_route=\/wp\/v2\/pages\/3517\/revisions"}],"predecessor-version":[{"id":4338,"href":"https:\/\/gomeres.fundacionindex.com\/index.php?rest_route=\/wp\/v2\/pages\/3517\/revisions\/4338"}],"wp:attachment":[{"href":"https:\/\/gomeres.fundacionindex.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3517"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}